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Artwork to come

The 210 through Glendora, first light, the San Gabriels behind

Brief · A vintage mid-century travel postcard illustration. Style: printed like cheap vintage four-colour lithography, with a COARSE VISIBLE HALFTONE DOT SCREEN across the entire image — especially sky and water. Fine stipple and engraved tonal detail underneath the screen, but no bold black outlines, no woodcut, no comic ink, no photorealism, no 3D, no gloss, no digital gradients. Palette: warm cream-sand #f0d8c0 plus one blue — dusty teal #90c0c0 and slate #607878 when sun-bleached, saturated cyan #30c0d8 when vivid. Muted olive greens in foliage. Composition: the subject sits in the RIGHT THIRD; the left two-thirds is nearly empty sky, water or ground. Low horizon. No people, or figures so small they are marks. Scene: the 210 freeway running east through Glendora at first light — an empty six-lane roadway, sound walls, the San Gabriel Mountains rising sharply behind, one overhead sign gantry with blank panels. Mood: dependable, unglamorous, quietly beautiful at this hour. Optional single small red accent: the tail lights of one distant car. No text, no lettering, no signage anywhere. 3:2 landscape, full bleed.

The 210 through Glendora, first light, the San Gabriels behind

Castillo

Colombia · 2005 · Cenicafé

The 210 through Glendora at first light. Dependable, and unfairly maligned.

Why this place

The 210 through Glendora at first light is six empty lanes with the San Gabriels going straight up behind them. In two hours it will be a car park. For about forty minutes it is one of the best views from any freeway in America, and nobody is looking.

Castillo is the same proposition. Released by Cenicafé in 2005 to give Colombian growers something that would survive leaf rust, it is now planted across an enormous share of the country — and specialty buyers spent a decade sniffing at it on the assumption that anything disease-resistant must taste of compromise.

Then people started running blind cuppings, and repeatedly failed to distinguish Castillo from Caturra. Several of those results were published. It was mildly embarrassing.

In the cup
Clean, sweet, balanced. Blind cuppings repeatedly fail to distinguish it from Caturra, which has embarrassed a number of people
Lineage
A Cenicafé line bred from Caturra and Timor hybrid, released as a rust-resistant replacement
Grown
Colombia, extensively — it is why the country still has a crop
Altitude
1,200–2,000 m
Brew it as
Anything. It is the workhorse of an entire nation and it deserves better press

Our opinion

The most unfairly maligned variety in coffee. If a roaster refuses to buy Castillo on principle, they are choosing a story over a cup, and the story is not even true.

It is clean, sweet and balanced. It will not give you the ceiling of an exceptional Bourbon, and it will give you a reliably good coffee at a price that means Colombian farmers still have a farm.

Anything. Filter, espresso, milk. Buy it without apology, and be suspicious of anybody who sneers at it in a way that suggests they have not tasted one since 2011.

Sources

Out past the break

The Hybrid Set

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